MINO
Er ist der Künstler, der seine künstlerischen Visionen zu einem aussagekräftigen
Kunstwerk erschafft. Doch der Weg eines Kunstwerkes, ist mit seinem Erschaffen noch längst nicht beendet. Viel mehr beginnt seine Reise erst jetzt!

Schwerpunkt seines Schaffens bilden die Oelmalerei und seine berühmten Scherenschnitte, weit über die Landesgrenze hinaus bekannt.Creative people are those, who transform a piece of paper, canvas or another underpainting into a work of art using shapes and colours or colour combinations. They allow others to see their visions. Does the artist ever sleep? That we do not know. However, we do know some key information about the Swiss artist:MINO was born in Lucerne in 1967, completed several art courses and specialised in stone lithographic and serigraphic techniques at the University of Design under Pirmin Jost. In addition, he even found time to learn how to do oil paintings and silhouettes. Since 1992, MINO?s works have been open to the interested public; a solo exhibition marked the beginning at an artists forum in Bahnhofstrasse, Zurich.MINO?s studio gallery is situated in Knonaueramt, a beautiful idyllic little place in Knonaueramt, surrounded by old half-timbered houses, horses, flowers and meadows. If a Knonau resident is asked where his home is, he only has to explain it is near the Seleger Moor and then most people say: ?Ah, I?ve been there?. The artist has worked hard for his well-deserved reputation in the national and international art scene and if you do not come across him in newspaper articles, then a visit to his homepage minoart.ch is recommended or contact him in person ? at best send an email to mino@minoart.ch.Free in the structure of art policy, MINO is dedicated to oil painting. Light and colour are very important to him. Colours create positive vibrations and calm the body.The scientific consideration of sight makes us aware of the wonderful basic fact that each person has their own, self-made image of the world. Again and again we are told that art above all provides an escape from reality. Since the artist does not like the practical concerns of everyday life, he avoids actively dealing with them and instead prefers to make himself at home in a fantasy world where he is spared such impositions.The artist in his own words??Sensually, visually, I accept the world, interpret impressions according to my experiences, I intuitively try to ignore the rules of colour and shape. I construct my pictures ? that I practiced in nature studies. I work in a disciplined manner; after years I suddenly pull out an old picture, paint over it, change it, even though it seemed finished and good to me at that time.?
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